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DTSTART;TZID=UTC:20250501T193000
DTEND;TZID=UTC:20250501T230000
DTSTAMP:20260604T124915
CREATED:20250321T104251Z
LAST-MODIFIED:20250321T104251Z
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SUMMARY:Talk: Gut rot — Are ultra-processed foods the new tobacco?
DESCRIPTION:Food entrepreneur and business owner\, Charlie Bigham\, and other speakers (TBC) will talk all about UPFs. We will find out why our supermarket shelves are still groaning with addictive crap that cause obesity and health problems. We will look at what can we do to stem the tide of sugar\, fat and salt and how they are affecting our gut microbiome.
URL:https://www.henandchicken.com/event/talk-gut-rot-are-ultra-processed-foods-the-new-tobacco/
LOCATION:Hen & Chicken Studio
CATEGORIES:Talks
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DTSTART;TZID=UTC:20250514T193000
DTEND;TZID=UTC:20250514T213000
DTSTAMP:20260604T124915
CREATED:20250325T110502Z
LAST-MODIFIED:20250325T110502Z
UID:27958-1747251000-1747258200@www.henandchicken.com
SUMMARY:Talk: The Art of Tim Burton: Exploring Dark Fantasy and Gothic Aesthetics
DESCRIPTION:Characterised by dark\, uncanny imagery and an off-beat persona\, Tim Burton has cultivated a reputation as an eccentric and irreverent filmmaker. Spanning both live-action and animation\, his work applies a macabre twist to everything from superhero and sci-fi films to biographical dramas and musicals. However\, it is through stop-motion animation that Burton’s grotesque monsters and misfits truly come to life\, allowing him to explore themes of bodily difference\, disfigurement\, and disassembly. \nIn this talk\, Dr Christopher Holliday\, a Senior Lecturer in Liberal Arts and Visual Cultures Education at King’s College London\, examines how Burton’s fascination with unstable\, conflicted bodies is enhanced by stop-motion’s inherent strangeness. We will trace his artistic beginnings at the California Institute of the Arts\, his early work at Disney\, and his departure to develop a gothic-inspired counter-style. By exploring Corpse Bride (2005) and Frankenweenie (2012)\, this talk reveals how Burton’s haunting aesthetic has shaped his legacy as a Hollywood outsider. By reflecting on Burton’s contribution to the development of animation as an art form over the last forty years\, Dr Chris Holliday reveals how his haunting visual style has come to symbolise the career of a filmmaker whose identity has remained increasingly difficult to place. \n  \nDr Christopher Holliday is Senior Lecturer in Liberal Arts and Visual Cultures Education at King’s College London. He has published widely on Hollywood cinema and animation history\, and is the author of The Computer-Animated Film: Industry\, Style and Genre (2018) and co-editor of Fantasy/Animation: Connections Between Media\, Mediums and Genres (2018) and Snow White and the Seven Dwarfs: New Perspectives on Production\, Reception\, Legacy (2021). He has written multiple book chapters and articles on animation and contemporary media culture for academic publications\, as well as for Total Film\, The Independent\, and The Conversation\, and spoken on animation around the world\, including at the British Film Institute and Cinema Museum in London and recently at the Annecy Film Festival in France. He can also be found as the curator and creator of the website\, blog\, and podcast Fantasy/Animation. 
URL:https://www.henandchicken.com/event/talk-the-art-of-tim-burton-exploring-dark-fantasy-and-gothic-aesthetics/
LOCATION:Hen & Chicken Studio
CATEGORIES:Talks
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DTSTART;TZID=UTC:20250527T190000
DTEND;TZID=UTC:20250527T213000
DTSTAMP:20260604T124915
CREATED:20250410T101725Z
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SUMMARY:Talk: The History of Witchcraft and Feminism with Dr Jennifer Farrell
DESCRIPTION:The image of a female witch\, with broom and black cat serving the devil\, is ingrained in pop culture. But where did this stereotype come from? The concept of witchcraft emerged slowly over the course of several centuries as a result of theological\, intellectual\, and cultural changes in ideas about demons and heresy. \nMagical practices were varied – including love magic\, healing\, and various forms of prognostication. And it certainly wasn’t always associated with women. In fact\, more ‘sinister’ magic like necromancy – which relied heavily on the power of demons – was mostly done by men. This type of magic involved a lot of education that simply wasn’t accessible to women at the time. So how come this image of evil women practising magic – witches – came about? \nThis talk will use feminist approaches to the past to explore medieval changes in ideas about magic\, gender\, and heresy in order to better understand the emergence of witchcraft at the end of the middle ages. We will also look at witchcraft in relation to female sexuality and fears about women’s access to ritual power throughout history. \nDr Jennifer Farrell is a lecturer in medieval history at the University of Exeter. With interests in both gender and the medieval supernatural\, her research and teaching focuses on cultural developments and their relationship to socio-political changes in Western Europe during the high and late middle ages (c. 1000- c. 1500). She has published on subjects including medieval prophecy; fairies in medieval history and romance; the relationship between literary representations of fairies\, the supernatural\, and gender; and is currently working on a book focused on Geoffrey of Monmouth and the origins of the Arthurian legends. Her teaching has included undergraduate and postgraduate courses looking at medieval gender and sexuality\, universities and learning in the middle ages\, magic in the middle ages\, sexualities across time and space\, and the legends of King Arthur.
URL:https://www.henandchicken.com/event/talk-the-history-of-witchcraft-and-feminism-with-dr-jennifer-farrell-2/
LOCATION:Hen & Chicken Studio
CATEGORIES:Talks
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