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X-WR-CALDESC:Events for Hen & Chicken
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DTSTART;TZID=UTC:20250508T200000
DTEND;TZID=UTC:20250508T223000
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UID:10002687-1746734400-1746743400@www.henandchicken.com
SUMMARY:Jazz: Dan Newberry Quartet
DESCRIPTION:Saxophonist Dan Newberry holds a Masters from the Royal Welsh College and is one of the brightest rising stars of the scene. He studied with sax great Iain Ballamy from an early age\, and has acquired an appreciation of all styles of jazz sax\, able to switch from 30s swing to the most contemporary sounds in an instant. \nTom Berge is a jazz pianist and music teacher with a 1st Class Honours (BA) in Jazz Piano (Leeds College of Music) and an MA in Composition for Film and TV (Bristol University). He plays regularly with his own trio across the UK and has tutored at the Yamaha Jazz School in Falmouth and at the Dordogne Jazz Summer School. \nBassist Henrik Jensen moved from Denmark to London in 1997 and is a graduate of the Royal Academy. He has toured the world from Tokyo to Moscow with various modern jazz projects and also as part of the band for close harmony group The Puppini Sisters. Henrik has previously appeared at the club as band leader with his quartet Followed By Thirteen \nDrummer Scott Hammond has spent years touring the world with Jethro Tull\, but between trips he is heard on Bristol’s jazz scene with the Hopkins Hammond Organ Trio and 1970s Herbie Hancock/Weather Report influenced funk project Jingu Bang.
URL:https://www.henandchicken.com/event/jazz-dan-newberry-quartet/
LOCATION:Chicken Shed
CATEGORIES:Jazz,Live music
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DTSTART;TZID=UTC:20250509T200000
DTEND;TZID=UTC:20250509T230000
DTSTAMP:20250403T094833Z
CREATED:20241209T180051Z
LAST-MODIFIED:20250403T094833Z
UID:10002472-1746820800-1746831600@www.henandchicken.com
SUMMARY:Music: The Deep Dark Woods (solo)
DESCRIPTION:One might be tempted to think of the Deep Dark Woods as a band steeped in capital-T tradition\, and that may be true\, but now nearly two decades into their life as one of Canada’s finest folk-roots ensembles\, that tradition is one of their own invention. The voice of founding member Ryan Boldt sits at the forefront of the band\, and it doesn’t take long to reveal that he is a master of subtlety and shading\, working in the lineage of iconic singers like Bob Dylan\, Bert Jansch\, Rick Danko\, and Jason Molina. Boldt\, a relentless lifelong listener of music\, says “It’s all I do. When I’m not playing music\, I’m listening to it\, trying to find songs that make me feel an aching pain in my chest.” Accordingly\, his singing is full of highly emotive nuance and an elegant\, relaxed precision that makes it seem downright effortless\, a perfect vehicle for the band’s particular brand of updated folk music. Fellow travellers like keyboard whiz Geoff Hilhorst\, veteran drummer Mike Silverman\, and Evan Cheadle round out the Deep Dark Woods unit\, and they are often assisted by like-minded collaborators such as singer-songwriter Ellen Froese\, Erik Nielsen\, Leon Power\, and the acclaimed duo Kacy & Clayton. This crew creates a powerful combination and has amassed a pile of celebrated albums\, EPs\, and a host of nominations from music awards outfits from across the country. Together they recall classic units like The Band\, mid-period Wilco\, and American Beauty-era Grateful Dead\, but also legendary late ’60s UK groups like Fairport Convention\, Pentangle\, and Steeleye Span. \nWhich brings us to the Deep Dark Woods’ latest album\, Broadside Ballads\, Vol.III. Intertwined amongst their albums of original material\, Deep Dark Woods has been steadily building up a series of releases called Broadside Ballads\, focusing on traditional Irish\, English\, and Scottish folk songs. It’s a fitting tribute to the music that influenced Boldt’s writing and singing since first forming the band\, and like their forebears\, Deep Dark Woods aims to take their own experiences of traditional music and create something new and vital. The songs in this collection mine some of the more brutal depths of human experience\, touching on broken hearts\, love\, murder\, and the act of leaving. Boldt notes that “there are not too many jolly songs in there”\, but the album is not a dour affair\, instead benefiting from tasteful\, unstated arrangements and an organic\, no-frills recording sound. The songs on Vol.III generously display The Deep Dark Woods’ deep-seated links to the past while still sounding just like themselves. \nA brand new album of original music recorded by David Parry (Loving\, Alice Phoebe Lou) will be released on Victory Pool throughout 2025 complimented by tours of the UK\, Canada\, and Europe. \n  \n \n 
URL:https://www.henandchicken.com/event/music-the-deep-dark-woods-solo/
LOCATION:Hen & Chicken Studio
CATEGORIES:alt-country,Americana,Folk Music,Live music
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DTSTART;TZID=UTC:20250510T193000
DTEND;TZID=UTC:20250510T230000
DTSTAMP:20250327T102520Z
CREATED:20250327T102520Z
LAST-MODIFIED:20250327T102520Z
UID:10002673-1746905400-1746918000@www.henandchicken.com
SUMMARY:Music: Firestations
DESCRIPTION:Here Comes Midnight Presents Firestations\nWe’re excited to be back with one of our favourite bands\, Firestations! Playing a beautiful stripped-back show from their new album and beyond\, this will be warm and layered treat. \nIn the Chicken Shed with support from Melinda Bronstein and Andy Skellam.\n————-\nMany White Horses is the brand-new album by eclectic London art-pop ensemble Firestations. Set for release on Lost Map Records on limited-edition 12” vinyl and via digital services on April 25\, 2025\, the album is a collection of sea-soaked acoustic songs and instrumentals\, interwoven with field recordings and lyrics drawn from the immediate surroundings of a sailing expedition\, all brought together with warm\, textured production. \nFirestations are Mike Cranny\, Laura Copsey\, Martin Thompson (aka Bit Cloudy)\, Tom Hargreaves and Neil Walsh. Their music spans genres from shoegaze to alt-pop and harmony-driven psychedelia. Their second album and their debut for Lost Map\, The Year Dot\, released in 2018\, was followed by sonic collage album Dream Home in 2020 and the Automatic Tendencies EP project in 2020-21. The latter took the form of three EPs over a six-month period\, each including alternative “sunken” versions by the band as well as covers and remixes of the band’s tracks by other artists. Thick Terrain\, released in 2023\, saw Firestations return to album format with ten tracks ranging from hypnotic sci-fi landscapes to addictive dream-pop jangles\, exploring ideas around identity\, conflict\, progress and sanity.\n———–\nMelinda Bronstein – Melinda is a multi-instrumentalist\, producer\, photographer and filmmaker currently living in Margate. She started as keyboardist and backing singer for Americana-tinged Absentee\, before shifting to the drums for grungy Wet Paint\, indie-rockers Singing Adams and many other bands in between including\, in recent years\, as percussionist and backing singer with The Leaf Library. \nHer band Sea Glass\, a collaboration with Matt from The Leaf Library\, was her first outing as the main vocalist and songwriter\, a situation that has opened the door to an outpouring of solo recordings. In Reverse was recorded at home between March 2020 and February 2021\, a year of massive shifts\, it is haunted by a very human introspection\, an unease manifesting in buried loops\, vocal drones and cyclical lyrics. \nPurely intuitive in her approach\, Melinda fully immersed herself in using improvisation to explore the voice as multi-faceted instrument\, the poised hum of experimentation clear throughout the album. As she says\, “I approach making music without any expectation\, plan or idea of what will come out. The un-knowing is the exciting part which allows me to surprise myself. I follow a thread and keep weaving. Once a piece is finished I listen back as though it did not come from me” – a reminder that expression will find its way out by any means. \nIn Reverse is the eleventh release on The Leaf Library’s Objects Forever label\, and is the first joint release with Detroit label Metaphysical Powers run by artist\, writer and producer Kristen Gallerneaux and writer Bernie Brooks.\n————————–\nAndy Skellam – Andy’s music has been said to play like a surreal dreamscape\, perhaps because it is the product of late nights spent hunched over a guitar beside the glowing embers of a fire whilst everyone sleeps. It has spawned from the dusty corners & dank barns of his feral childhood wedged roughly between Welsh mountains and English riverbeds. \n“Andy Skellam’s Brighten Up the Place (Pear O’Legs) is a lovely\, somnambulist set of songs about wayward hearts\, bluebirds and bloodhounds\, made intimate in every soft squeak of its chord changes\, the whispery husk of Skellam’s voice\, and the drawing bows of a cello.” – The Guardian
URL:https://www.henandchicken.com/event/music-firestations/
LOCATION:Chicken Shed
CATEGORIES:Acoustic music,alt-pop,Live music,singer-songwriter
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